Like One of Those Victorian Fainting Women

There was nothing romantic about this February. Usually I enjoy writing V-Day posts, usually cataloging all the fun, single things I do in order to make the most out of the lace-and-chocolate holiday, but this year was different.

On February 14th, I was writhing in agony on the couch, suffering from food poisoning turned stomach virus. I had to call in sick, miss the conference panel I was supposed to be on, and ate nothing but saltines and toast. I couldn't even read!

Me, calling into work at 5:00 am: 

"Hey _______, it's me again. I'm still not better. In fact, I've somehow taken on a fever overnight and the stomach pains are getting worse. Clearly, I have no shame talking about this. But I'll make it quick. If I were to come into work today, I'd either slump into a pile of goo on the floor, like one of those Victorian fainting women, or excuse myself multiple times each hour. Don't worry, though. I'm going to the doctor today..." 

Through the haze of pain, I daydreamed about the travel writing panel I was missing and the stack of handouts that were now all but useless since no one could hear me speak about my experiences in England and my travel writing tips. Booooooo. I also wished for many things: a new stomach made of steel and stocked with an ancient Greek army, chocolate cake, a book that wouldn't make me woozy while trying to read, and a nap.

"No naps," my intestines said, contorting into the shape of a rubber band ball. "Sleep is for the healthy."

The awesome poster in question.

But it's been about a week since then and I'm almost recovered. It is so good to be back at school, to say hello, laugh, and look at a computer screen without feeling faint. I have great friends in the program too, including the incredibly talented and frilly Namie of the blog "Good Morning Lovely." (We're BFF office mates at school, haha). She gave me, like, the best get well soon present ever when I returned to school: a Doctor Who poster that has a very witty saying on it that makes me think - well heck, maybe time traveling would have been a better cure for me than antibiotics.

Grad school takes no prisoners and my thesis is no exception. I'll be working on my last set of revisions this weekend before starting another ream of paperwork and getting the poor thing formatted. In other story news, I've been starting to get chunks of free time that, thankfully, have allowed me to write more of the current Figment stories I have up. I want to continue posting chapters in a timely fashion and I feel as if my characters, long dormant under the wild Thesis Sea, are starting to rise again to the surface.

A tiny story of mine called "Her Body Was Map" has recently been published at Lightning Cake, a brand-new lit journal started by Figment's very own, Linna Lee. Linna even illustrates the stories that get published and I can't convey how ecstatic I am with the one Linna made for my story. It. Is. Brilliant.

So happy belated V-Day. As I sit here, sifting through the chocolate that had to wait, I guess I can't complain. It feels amazing to be well again - or, at least, to be able to dash up a staircase, eat a whole sandwich, and laugh until it hurts while watching crazy-fantastic Food Network shows.

How has your February been?

Award News: Figment, Flour House, and Posters

Even though this did indeed happen a few weeks ago, I wanted to gather everything together to properly announce this awesome news: I won a writing contest! The contest was hosted by the teen writing website called Figment.com; anyone's who's been following me for a while already knows about it, haha.

The contest was called the serial contest. For anyone not familiar with the term "serial" in relation to fiction, I found a great quote from an article entitled "Writing Serial Fiction" by Icy Sedgwik:

"Serials have been part of fiction for decades. Newspapers and magazines regularly ran stories in installments, keeping readers hanging until the next issue continued the plot and spun out the story."

What serial fiction usually means nowadays is that you, as the writer, are periodically posting new chapters and the readers are following along with you as it happens. Very exciting. At least, I find it exciting. So when I found out that Figment created a contest revolving around this concept, I definitely wanted to take a shot at it.

The rules were simple:

1. Create a new story and write for four weeks straight.

2. Post at least two chapters each week (minimum of eight chapters in all).

3. One post each week must address the given writing prompt - and there was one prompt for each week.

The prompts were pretty tricky; you couldn't just write your story all at once and be done. So the prompts ensured that everyone entered was writing and creating as they went along - something that really gives me a thrill with the challenge of keeping pace and giving my characters something to worry about. The prompts were:

Week 1: Someone has to buy something from a toy store.

Week 2: Something made out of glass breaks

Week 3: Someone must be dancing or must witness dancing (of any kind).

Week 4: Someone or something (not necessarily human) must die or be dead.

The Prize: A Poster

The prize I won was a free poster from a company called PosterText. What they do is pretty cool - they take the classics (like The Portrait of Dorian Gray or Alice in Wonderland) and print the text of the book on the poster. Yes, it's like hanging a book on the wall. They choose a memorable scene, use the text from the book, and create a neat silhouette picture in the middle of the negative space. I had a hard time choosing which one I wanted, but in the end I stuck with Jane Austen's Pride and Prejudice. Here are some pictures of its arrival, followed by what I did after the happy delivery:

The poster arrives!

Ah, the poster is successfully unwrapped and up on a wall! It looks good, haha.

When you look at it up close, you can see the text! This one is the text next to Elizabeth's face.

My dog, Misty, and I eating cotton candy Italian ice. Delicious - and it helped cool my brain off after all that writing.

The Story: Flour House

From this contest, I came up with my entry: Flour House. I listed the prompts because, if you do decide to read it, you might be interested to see how I used them to fit the story each week. It's a story filled with baking sweets, teacup bathes, handsome tiny boys, and a lot of flour. I've posted the first chapter here:

Measuring Spoons

It was late November when Lettice Morris stood outside the toy shop. She was seventeen, a small girl with small feet. She had her brown hair tied back in two braids, her smart green pea coat buttoned up to the neck, and she watched her breath fog the darkened windows and drew hearts and stars with her gloved fingers until they faded away.

A thin layer of frost covered the city street. People walked carefully in big, slow strides with their arms out like tight-rope walkers. Lettice checked her watch out of habit, but she knew what time the toy shop opened.

8:03 am

The lights turned on.

The old man who ran the toy shop was called Duncan. He unlocked the door and popped his head out, smiling down at the young woman. “Good morning, Letty,” he said. His eyes glittered behind his gold-rimmed peepers. His bowtie was blue.

She greeted him with a smile that split apart her chapped lips. She forgot again to rub on her vanilla chapstick; it always got lost in her purse, no matter how small and how few pockets were inside. For this reason, Lettuce believed that all purses were hungry monsters – a notion she had held onto since she was a child. But more importantly, for this reason, her lips were chapped and aching.

When Duncan let her inside, she darted past the train set display and the mobiles of butterflies and space ships to the cash register. She pawed around in one of the small fishbowls filled with tiny, inexpensive trinkets and found a tiny, round container of chapstick. The cover was decorated with swirls like a melting candy cane but it smelled like roses when she opened it. She quickly swiped an un-gloved finger across its smooth, sticky surface and flinched as she carefully dotted her lips.

“Did you come out here for just that?” Duncan said, looking at her over the display of rag dolls. He gently adjusted a fallen teddy bear.

“Not at all. But I’ve forgotten to put it on again. Or my bag ate it. I can’t tell which is true yet,” Lettice said. She took out her wallet and pulled plucked out two crisp bills. “That’s for the sweet relief. I can feel my lips healing already.”

“So what are you looking for?”

“A measuring spoon set.”

“There are kitchen stores for that…”

“No. I mean, I want a tiny one. Dollhouse-sized.”

Duncan laughed. “Well, that’s different. Follow me.”

They walked down one of the cluttered aisles, stuffed with train wheels, menageries, broken china dolls and faded scraps of clothing. The labels on each wooden shelf were faded by the years. Some peeled off and joined the dust on the floor. Duncan stopped at a shelf lined with tiny couches, paintings from Picasso and O’Keeffe on bigger than a thumb, and a bathtub realistic enough to have a ring. He extracted a small box, and from that box, amongst forks, brushes, and necklaces, he offered Lettice a flower-painted measuring spoon set. She held it prudently in her hands.

“I gather you’ve wanted to add to your mother’s dollhouse,” he said, watching Lettice gently turn the set in her hands, hearing it jingle. “It’s a worthy cause. It’s almost like building a real home, from the ground up. You’re lucky your mother boxed away most of her collection so that, when she passed, they would belong to you.”

He spoke easily about this because it had been five years since her mother died. Lettice was comfortable with it. She thought of her mother often, but not sadly; she had her cheerful, older brothers always making her feel safe. But although she did have a keen interest in putting her mother’s dollhouse back together, there was another reason why she had started to spend her money on the tiny delicacies. So without hesitating, Lettice said, “There’s that, Duncan. Yes. But my boyfriend is living in the dollhouse, and he’d really like to bake a cake.”

(Original cover art found on We Heart It)